Romanesque Sculpture in Italy: Form, Function, and Cultural Practice
Identifieur interne : 000456 ( Main/Exploration ); précédent : 000455; suivant : 000457Romanesque Sculpture in Italy: Form, Function, and Cultural Practice
Auteurs : Andrea Von Hülsen-EschSource :
English descriptors
- Teeft :
- Albert dietl, Ambrose, Andrea, Andrea castagnetti, Angelo paredi, Archbishop arnulf, Arians, Blessing gesture, British library, Celibate life, Central figure, City gate, City patron, Civic identity, Communal concern, Cult practice, Cultural practice, Dorothy glass, Eleventh century, Ernst voltmer, Ferrari, Foot soldier, Frederick barbarossa, Front face, Fuller discussion, Good deal, Holy roman emperor, Hostes ianua frangit, Iconography, Important role, Inscription, Kunst, Libreria universitaria editrice, Liturgical, Liturgical drama, Manuscript illumination, Medieval wall, Michele ferrari, Milan, Milanese, Milanese people, Milano, Military action, Military conflict, Military standard, Monastery, Monumenta germaniae historica, Museo antica castello sforzesco, Ninth century, Northern italy, Other heretic, Paschal candlestick, Patron, Patron saint, Pina belli, Political development, Political dimension, Pope alexander, Porta, Porta romana, Porta romana relief, Portal, Princeton university press, Prominent position, Regional trend, Romana, Romanesque, Romanesque sculpture, Romanische, Romanische skulptur, Sacred history, Saintly patron, Same time, Sculptural, Sculptural production, Sculptural program, Sculpture, Skulptur, Studi, Town hall, Twelfth century, Tympanum, Verona, Veronese, Wissenschaftliche buchgesellschaft, Zeno.
Url:
DOI: 10.1484/M.SVCMA-EB.4.6009
Affiliations:
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Le document en format XML
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